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noramoya · 7 years ago

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COLLECTOR OF SOULS. “My journey with Michael Jackson began in 1992 at the age of forty-two years old. At the time, I and everyone around me thought I had flipped my wig, gone off the deep end, thrown a gasket. Who ever heard of a forty-two-year-old matron falling ass over appetite in love with a rock star. That was behavior that was confined to pre- and post-pubescent, nubile young women. By the age of forty-two – a mother of two girls aged ten and eight – a wife of thirteen years – living in a small rural community in America’s corn belt and surrounded by country music enthusiasts (bleah!), a woman should have matured past the point of mindless infatuation with a rock and roll musical genius. Sure, I had heard his voice and had even sung along on occasion as I drove in my car. One would have had to be living under a rock on Jupiter to have been totally unaware of Michael Jackson in the early 1980��s! I’d seen him and his brothers performing on some of my favorite variety shows and watched his hyper-kinetic dance moves and his effervescent, bubbly personality oozing out of my television screen, but I hadn’t paid much attention to the beautiful child in the fringed vest and pink hat. As he grew, I would accidentally run across him singing one of his vast repertoires of hit records on a radio station. I remember my kid brother (eleven years younger than me, God bless him!) trying to teach me how to disco to Michael’s Off the Wall album in about 1979 or 1980 as my future husband looked on and shook his head in despair of me ever having that kind of rhythm. One of my strongest memories of his voice influencing my moods was during my daughters’ pre-kindergarten days when I was a stay-at-home mom, dancing around the kitchen while preparing their lunch or supper with the boom box blaring Lionel Ritchie’s Dancin’ on the Ceiling followed by Michael Jackson’s and Lionel Ritchie’s We Are The World. I ran to get a blank cassette tape because my boom box allowed me to tape from a radio broadcast so that I could preserve the moment for posterity! My husband often complained that I was corrupting my girls with my love of rock and roll music and that I played ‘that noise’ much too loud and would ruin their hearing. He makes much the same comment today, except now that I have totally corrupted by daughters, I’ve started on my granddaughter. Of course, Billie Jean got my attention and I had to rush out and buy the Thriller album. Lady in My Life melted me the first time I heard it and continues to do so to this day. My encounters with Michael pre-1992 were hit-or-miss, brief, coincidental – perhaps synchronistic. That changed one lovely October evening when my husband was away from home on a church retreat. I had seen ads announcing Michael Jackson Live from Bucharest, Romania to be televised on HBO and had determined that I would watch, telling my girls, “Oh, goodie! We get to see the BEST!” My excitement and anticipation grew until, finally, I kissed my husband goodbye and he drove off in his car. My daughters and I ran into the house, popped a huge bowl of popcorn, got some sodas, got in position and got ready to watch the show. Two hours later, we were all spellbound, speechless, breathless with what we had witnessed through our television screen that evening. I scurried my girls off to bed because it was past their bedtime and ran downstairs to watch again, because, of course, I had videotaped the performance. I needed to be alone with the experience I had just witnessed, for some reason. It was at that moment that I began my walk hand-in-hand with Michael Jackson. As I rewound the videotape, I tried to pinpoint just what it was – exactly – that had so touched me about his performance. Was it the raw emotion he embodied in She’s Out of My Life and Will You Be There, the joy he communicated in the Jackson 5 Medley, the heartfelt plea for all of us to Heal the World!? I really didn’t know much about Michael Jackson; I had no real ‘back story’ to draw on. I stayed up all night that night watching him pour himself out onto that stage half a world away and wondered how he found the determination and energy to keep going, how he performed some of those dance sequences (that LEAN in Smooth Criminal, for example), where he drew such incredible strength and stamina from. I had never seen a performance or concert like it. I had been to several concerts in my youth and had watched some of my favorites perform concerts on television, but I had never seen anything to compare to the raw energy that man emitted on a stage! And I’m not talking just about the energy he expended, although it was considerable. I’m talking about the energy he transmitted – through a television screen half a world away by live broadcast and later by videotape – through his body movements which made it possible for a viewer to see the music – through his voice – that incredible, versatile, flexible, ethereally-lovely or grindingly-gritty vocal instrument that he played with indefatigable virtuosity! I felt that energy bathe me in my mid-western rural home that October evening and wondered what it must have been like to actually be a member of the audience receiving that transmission firsthand! From that night in 1992, I was on a crusade to devour, inhale everything I could find by or about Michael Jackson. I spent the greater part of the next decade absorbing him into my DNA, learning about his devotion to his art, watching and taping interviews, reading books, collecting and listening to his musical releases and short films, researching his humanitarian goals and ideals. I always felt that there was something deeply spiritual about Michael Jackson’s influence on me, something wholly-mystical about his presence, something uniquely-metaphysical in his energy exchange with the world around him. During that decade, I found others who were similarly engaged and began writing my thoughts about this man and contributing articles to major internet fan clubs and fan magazines, defending him against the lies that were constantly being disseminated about him by the media and starting my own little website called Fan In The Mirror so that I would have a safe haven to express my thoughts and feelings about this man who had, without even being aware of it, changed my life and my view on what that life was all about. Things that other people would have dismissed as coincidences I saw through my heightened perception as synchronous happenings placed in my path to encourage forward momentum. I sensed that I was being led throughout this period – led to write, led to send letters to attorneys and publications, led to express the truth as I saw it, led to encourage others to question the daily diet of lies, scandals, innuendos that were published about this man, Michael Jackson. When the decade was spent, I looked back and had a sense of pride in my accomplishments during that period. I felt that 1992 through 2002 was the most spiritually-fulfilling and productive decade I had ever lived. However, my life had gotten a bit out of control – my girls had grown up and had begun to dabble in things better left alone and I was immersed in a negative vibration that took me over completely – my computer had died and, at the time, I couldn’t replace it – and the relentless intolerance of everyone around me to my obsession with a *gasp* rock ‘n roll idol began to persuade me that it was, indeed, time for me to grow up. My husband viewed the decade as an aberration – something attributable to a hormonal or chemical imbalance that had taken over his wife – similar to being possessed by an evil spirit – while I viewed it as being possessed by positive, healing, spiritually-enlivening energy – inspiration, in a word which comes from a Greek root meaning inhabited by spirit. I can so totally relate to Michael’s fascination with Peter Pan. I wanted to be the eternal teenager, wanted to cling desperately to the mindset I had inhabited during the 1990’s but was forced by circumstances beyond my control to release that worldview while, at the same time, yearning for it to return with a vengeance. To say I was conflicted would be understatement of the highest order. I spent several years just surviving day to day, not making any waves, playing the role the world wanted me cast in – wife, mother, grandmother, employee, housewife – keeping busy but just going through the motions without really living them. Whenever I saw Michael’s face on the news, it lifted my spirits. Just knowing he was there – somewhere – brought me solace. But I wasn’t listening to his music or watching his short films or concerts or interviews. I had convinced myself that fifty-plus-year-old women just did not behave in such teeny-bopper ways and that I had a responsibility to my family – and, well, you know the arguments we all use to sabotage our spiritual selves when we are not being soulfully engaged. My world crashed down around my ears on June 25, 2009. I read on one of the news websites at work that Michael Jackson had been rushed to the hospital. I was not terribly concerned at the time – this was not an uncommon occurrence in his life, particularly when he was engaged in conceptualizing, producing, rehearsing a new venture. In 1995, I had acquired tickets for several members of my fan club, The Michael Jackson Internet Fan Club, to attend HBO’s One Night Only. Three days before the taping, Michael was hospitalized with acute dehydration and dangerously low blood pressure resulting from a gastro-intestinal viral infection. I drove home complacently berating Michael Jackson in my mind. “Mike, doggone it! You know better. You are not Superman. You need to eat and sleep and drink just like the rest of us! Why do you have to be such a workaholic? Don’t you know that you scare the crap out of us with this stuff?” It wasn’t until I arrived home after picking up my granddaughter at her babysitter’s house and had begun to prepare her evening meal that the seriousness of the situation forced its way through the negative fog that seemed to follow me wherever I went. My youngest daughter called me and said, “Mom, are you sitting down? Michael Jackson is dead.” “Oh, come on, now, Glynnis. That’s just not possible. Is this some kind of sick joke?” I asked. “Why would I do a thing like that, Mom? I wouldn’t make up something like this. Go turn on your television.” So, I did turn on my television and the images that invaded my haze opened a floodgate of emotion within me that hasn’t been quelled to this day – over fourteen months later. I saw fans collected outside the UCLA Medical Center. I saw Michael Jackson’s shrouded body being loaded into a helicopter and air-lifted to the coroner’s office. I saw fans congregating outside the Apollo Theater in New York City, Trafalgar Square in London, and various other cities around the world mourning the loss of a magical, mystical, magnetic, charismatic Collector of Souls. A week later, with tears streaming down my face, I saw his ornate, flower-draped coffin being wheeled into the Staples Center by his brothers for his public memorial service. I am reminded of Jesus’ words to his disciples: I will make you fishers of men. And, I believe, He repeated those words to Michael Jackson’s embryo while he was still in stasis in his mother’s womb with one little change. To Michael, He whispered: I will make you a fisher of souls and the soul-in-the-making who would be Michael Jackson had to agree to that assignment because each of us has free will. That was his contract and he fulfilled it with such unbelievable style, grace, zeal, humanity and aplomb. Of course, the greater the light, the greater the darkness that must surround it to balance it – that is the world of duality in which we live – without cold, heat could not exist – without day, night could not be experienced. That is the yin/yang of our existence. Without that which it is not, that which is cannot be. I believe with all my heart and soul, that God used Michael Jackson to bring souls home, to show them the way to go, to exemplify for us all how to love without thought to our own comfort, to embody unconditional love, to encourage us to find our own individual bliss and passion and to use our gifts in meaningful ways to make a difference in our own little corners of the world, to personify strength in the face of hardship and ridicule. I believe that God gave him the music in his quiet moments (just as he described on so many occasions), breathed through him as he transcribed His dictation onto tapes, empowered him as he recorded the music in recording studios, encouraged him as he conceptualized the short films to accompany the music and make it visible, transmitted L.O.V.E. through Michael Jackson’s body, movements, imagination, voice as he performed the music on stages throughout the world and closed the circuit of symbiosis with the souls he collected in his audiences hurling that love energy back to nourish his body and imagination and begin the process again. Do I have proof of any of those statements? No – but then such things are rarely provable. We can only know the truth of such statements in the effects we see in our own lives and the lives of others similarly influenced. “By their fruits shall you know them” Since his immortalization on June 25, 2009, Michael Jackson has been collecting even more souls than he did when he walked among us. Stories abound of people who knew nothing whatsoever about him prior to that date but who have experienced a sudden, insatiable curiosity about this man after viewing his memorial service or the filmed rehearsals of his last venture. These people report being moved in a similar manner to the way I was moved in 1992 – to find out more, to hear more, to learn about his charitable work, to avail themselves of the opportunity to watch and listen and learn from him, to be inspired (remember that Greek root?) by him and to be bathed in the energy he emitted like a lighthouse guiding shipwrecks to safe harbor. As a result, they feel changed. They feel the need to be more involved in their world, to give more freely to charities, to donate time and effort to people and circumstances that require their help, to be more soulful, more aware, more conscious. As a result of their research, they have expressed their willingness to continue his work of “healing, pure and simple.” They consider themselves Michael Jackson’s Army of L.O.V.E., recruited by him over a period of years … or only very recently. They represent every nationality, every generation, every denomination, every race, every creed, every ideology. For what possible purpose could all of these people have been recruited? Michael Jackson answered that question very specifically in Oslo, Norway in 1997: “Because you are my messengers to heal the world … and because I love you.” May we all leave such a legacy when it is our turn to become immortal! ” ~ JAN CARLSON .

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whittlebaggett8 · 6 years ago

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Bath & Body Works’ sales are soaring — we visited a store to see why, Defence Online

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Bath & Body Works’ sales are soaring.

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Bethany Biron/Defence Online

Though L Brands is mired in slumping sales due to falling perception of its Victoria’s Secret brand, Bath & Body Works continues to shine.

Bath & Body Works continues to report strong earnings, effectively carrying the struggling L Brands. The personal-goods retailer has found success by playing to the power of nostalgia while staying relevant with updated stores and new product tests.

We visited one of three Bath & Body Works locations in Manhattan to see what it’s doing right.

As L Brands struggles to revitalize its ailing Victoria’s Secret brand, Bath & Body Works proves it has enduring appeal.

Best known for its bountiful selection of personal care and bath products, Bath & Body Works has established itself as a bright spot for its parent company. The brand posted a 13% increase in same-store sales in the first quarter of 2019, while sales at Victoria’s Secret’s stores declined by 5%. Thanks in part to the success of Bath & Body Works, L Brands reported a net income of $40.3 million for the quarter, more than three times the value estimated by analysts.

Investors have started pressuring L Brands to split Bath & Body Works from the struggling lingerie company. In March, hedge fund Barington Capital sent a lengthy letter to L Brands CEO Les Wexner arguing its point for a spinoff, taking a page from the playbook of Gap Inc.’s recent decision to make Old Navy a standalone company.

In the meantime, L Brands made pointed efforts to offset its losses by selling La Senza and closing its high-fashion brand, Henri Bendel. Still, the company’s “performance continues to be mixed,” L Brands CFO Stuart Burgdoerfer said on the investor call in May.

We visited a Bath & Body Works store in Manhattan’s Flatiron District to see what’s helping set the retailer apart:

The Flatiron Bath & Body Works is one of three locations in Manhattan, and it was bustling with shoppers at 11 a.m. on a Monday. Bath & Body Works is one of the largest personal care and home goods retailers in the world, with more than 1,600 stores.

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Bethany Biron/Defence Online

Source: USA Today

Though the first store opened in Cambridge, Massachusetts, Bath & Body Works was founded and is headquartered in New Albany, Ohio. We found a small display honoring its hometown.

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Bethany Biron/Defence Online

Since its conception in 1990, the retailer has worked to maintain a wholesome image, effectively becoming “America’s sweetheart of beauty brands.” Its marketing and store design are very intentional, with smatterings of gingham, wooden barrels, and other nods to “country living.”

Source: Racked

Bath & Body Works has developed a rabid following over the past three decades. Today there are fan blogs and YouTube accounts dedicated to sharing new products.

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User Tina Marie shows off her latest haul in a video posted last month.

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YouTube/Tina Marie

Source: YouTube

Even celebrities like Rumer Willis can’t get enough of Bath & Body Works. The actress was spotted browsing candles at a store in Los Angeles in 2010.

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Getty Images/Jean Baptiste Lacroix

Bath & Body Works has worked to establish loyalty with its core consumer base of millennial women thanks to a product assortment that blends nostalgic items with updated seasonal offerings.

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Bethany Biron/Defence Online

The store we visited also had plenty of fun, whimsical items perfectly fit for a children’s gift.

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Bethany Biron/Defence Online

At the same time, Bath & Body Works has expanded its inventory to attract new demographics, including men. At the Flatiron store, we found a collection of men’s bath and shaving products strategically marketed for Father’s Day.

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Bethany Biron/Defence Online

In recent years, Bath & Body Works has found particular success with its White Barn Shop concept, which focuses on candles and air fresheners.

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Bethany Biron/Defence Online

The company continues to invest heavily in White Barn and often runs popular promotions like “3-for-1” deals on candles. Executives said on an earnings call earlier this month that they have 200 White Barn projects planned for the rest of 2019.

Source: USA Today

The White Barn collection really goes all-in on seasonal products, including new scents like “Island Reef” and “Suntan.”

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Bethany Biron/Defence Online

In addition to classic scents like vanilla, Bath & Body Works sells a vast collection of quirky, off-the-beaten-path candle fragrances. Here are a few of the more obscure ones we found at the Manhattan store.

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Bethany Biron/Defence Online

Looking for something a bit cosmopolitan? Spring for some eau de San Francisco.

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Bethany Biron/Defence Online

Still unclear what it’s supposed to smell like.

Can’t say we’ve ever had a berry waffle cone, but we wouldn’t mind eating one after smelling this.

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Bethany Biron/Defence Online

They even have special occasion candles for all your sentimental needs.

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Bethany Biron/Defence Online

Part of Bath & Body Work’s continued success is its investment in store design and remodeling, which has brought a breath of fresh air to the brand.

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Bethany Biron/Defence Online

The Manhattan store was brightly colored and well-lit, with flowers lining the displays.

Elements of the store felt like being in a time capsule, like the sink where shoppers could test products — an integral part of the brand’s early ’90s stores.

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Bethany Biron/Defence Online

Children of the ’90s will also be delighted to find the occasional classic scent, like this cucumber melon hand sanitizer …

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Bethany Biron/Defence Online

… and this Sweet Pea lotion.

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Bethany Biron/Defence Online

However, as we all know, some products were simply just too good to last, like the Bath & Body Works Art Stuff line.

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Poshmark

The collection, which was popular in the late ’90s and early aughts before it was discontinued, has inspired many an ode. You can also occasionally find the original products on resale sites, though they go quickly.

Meanwhile, over on eBay you can snag some OG Art Stuff for a cool $27.30.

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eBay

Still, Bath & Body Works isn’t afraid to test new scents. Its latest Gingham line has been a surprise hit, which executives have credited to its “sophisticated” appeal.

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Bethany Biron/Defence Online

Source: MarketWatch

Ultimately, Bath & Body Works has become the rare retailer that consistently draws a stream of loyal customers to its brick-and-mortar stores.

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Bethany Biron/Defence Online

The post Bath & Body Works’ sales are soaring — we visited a store to see why, Defence Online appeared first on Defence Online.

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#Bath #Bath & Body Works #Features #L Brands #News #Store tour #Visual Features

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homedevises · 6 years ago

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How Nice House Interior Designs Is Going To Change Your Business Strategies | nice house interior designs

When developer Michael Kirchmann confused from South Africa to New York City as a twenty-something in 1997, he spent his aboriginal few nights in a copse bazaar on Renwick Artery in Tribeca. Now he lives, works and flips absolute acreage in the neighborhood, which has continued aback confused from copse shops and artists’ lofts to condominiums and flush restaurants.

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The 46-year-old affiliated ancestor of two spent 11 years designing appointment barrio in western Europe at Skidmore, Owings & Merrill (SOM), afore ambience off on his own to begin an architectonics and development close alleged Global Architectonics Strategies (GDSNY) in 2008. While he had originally planned to focus on development, the Abundant Recession waylaid his affairs for a brace years. His baby close rode out the angular years accomplishing architectonics work, including two 34-story ablaze installations for the 2012 London Olympics, the adept plan for a mixed-use development in Bahrain and autogenous architectonics for a restaurant in London. Kirchmann additionally got into designing products, including jets, archetypal motorcycles and Porsches.

Perhaps his better accomplishment has been a gig allowance L M Development Partners body and apple-pie affordable accommodation projects throughout the bristles boroughs. In Far Rockaway, Queens, he revamped a 1,093-unit Section 8 accommodation development, Arverne View, that had been damaged by Superstorm Sandy. His close and OCV Architects came up with the abstraction that they could reclad the facades of the 11 low- and mid-rise barrio with an exoteric insulation system, giving them a new, blooming white-and-gray attending and much-needed insulation from the elements.

The barrio “weren’t cloistral and they leaked,” said Jeffrey Moelis, the development administrator of canning at L M (and accessory to L M co-Founder Ron Moelis). The new bluff panels “solved those problems and accustomed Michael to actualize this [architectural] vision. And [they] accustomed us to do it in a way that helped us accomplish our budget.”

In Brownsville, Brooklyn, Kirchmann teamed up with L M to reimagine the Marcus Garvey Apartments, a townhouse-style residential circuitous with 693 federally subsidized apartments. GDSNY created a new lighting arrangement for the exterior, devised new agriculture for the courtyards in amid the barrio and installed solar panels on the roofs of the sprawling development. As allotment of the bluff renovation, they advised two-story, perforated metal panels that resembled blooming ivy and installed them on tall, light-up panels, which awning attenuated stretches of the facades aloft the doorways on the Marcus Garvey buildings.

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“He absolutely buys into that abstraction that there’s no acumen why bodies who alive in affordable accommodation can’t alive in a admirable place,” Moelis said. “It doesn’t amount a accomplished lot more. If they feel like they’re in a nice place, they’re activity to account it and booty affliction of it. We’ve apparent a big bead in abuse [at Marcus Garvey]. It’s not all attributed to the architecture—there’s beefed up security—but I anticipate bodies are appreciative of area they live, and they don’t appetite their neighbors and guests antibacterial the place.”

Kirchmann estimated that he has completed 20 projects with L M, including the redevelopment of six New York City Accommodation Authority complexes with 875 apartments—Bronxchester Houses in the South Bronx, Saratoga Aboveboard in Bedford-Stuyvesant, Brooklyn, Millbank-Frawley Apartments in axial Harlem, and Campos Plaza in Alphabet City. He additionally brought his artful talents to L M’s four-year-old residential barrio at 1951 Park Avenue in East Harlem, area he created what he calls an 80-foot-long metal “art wall,” with fins of differing base that assume to agitate as one passes by on the animated Metro North tracks.

But in the accomplished two years, he’s assuredly started to assignment on the affectionate of projects he set out to do added than a decade ago—ground-up buildings. Abutting to the High Line in West Chelsea, GDSNY is amalgam a 10-story, eight-unit affluence address architectonics at 500 West 25th Street. Each high adventure except for the accommodation holds a full-floor, three-bedroom, three-bath accommodation with a clandestine terrace. Asking prices ambit from $5.5 actor for a 2,100-square-foot address on the third attic to $16.9 actor for a four-bedroom, four-bath bifold accommodation advance beyond 4,300 aboveboard feet. The boxlike anatomy cantilevers over the High Line, which Kirchmann considers the best cogent allotment of architectonics in New York City. Its facade, clad in anemic gray Alabama limestone, will borrow architectonics cues from the elevated-freight-line-turned-park. Kirchmann brought in the lighting artisan that formed on the High Line, a French close alleged L’Observatoire, to ability night-time lighting for the exoteric of 500 West 25th. Wrought adamant railings forth the balconies and gold aluminum emphasis panels are additionally declared to adjure the 1920s architectonics and stainless animate railings of the High Line. The developer additionally assassin Swedish-born bounded artery artisan Tony Sjöman, additionally accepted as Rubin, to actualize a geometric board art allotment to beautify the lobby.

“We capital to do article absorbing but not crazy” on West 25th Street, he said. “Our apartments are actual high-end, but they get to the point. We try not to accept any mirrorballs or annihilation blind in the lobby. It’s aloof like apple-pie Scanda-modern blazon stuff.”

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In fact, alive with artists—and creating art of its own—is a big allotment of GDSNY’s business. Afore he adapted a Soho attic architectonics at 25 Mercer Artery into condos, he accustomed British artisan Shantell Martin to draw faces on the walls. (He larboard her assets below the drywall for address owners to acquisition aback they apple-pie their apartments in a decade or two.) He additionally hosted a laser art accession and ball achievement in the building, with lasers by artisan Matthew Schreiber and choreography from Kathryn Boren of the American Ballet Theatre. And in February of aftermost year, he teamed up with an ad bureau to spray-paint a sky-blue and fire-engine red mural featuring aerial seagulls on his development armpit at 10th Avenue on West 25th Street, abutting to the High Line. The mural was allotment of a beyond activity alleged “Wall That Unites,” and was meant to beef Admiral Donald Trump’s planned bound bank with Mexico.

And Kirchmann has assuredly gotten aback to designing new appointment buildings. He and his business partner, Alan Rudikoff, active a 99-year arena charter in April for one of the aftermost abortive sites in NoMad, at 1241 Broadway at the bend of West 31st Street. They plan to body a 170,000-square-foot bazaar appointment building, with Kirchmann’s above administration from SOM administration the design.

T.J. Gottesdiener, a managing accomplice at SOM’s New York City office, is alive carefully with Kirchmann on 1241 Broadway. Aback Gottesdiener met him 15 years ago, Kirchmann was his employee. Now he’s a client, which is “kind of awkward but fun,” Gottesdeiner said. At SOM, “he was tenacious. He’d accept an abstraction and he would accompany it. It’s not a abruptness to me that he went into development.” As a developer, Gottesdiener added, Kirchmann “talks about the art of architecture. You can see his auto axis aback we appearance him the ground-floor amplitude or the lobby. He talks about what he can do to accompany some affectionate of art into the affairs and how bodies will acknowledge to it, how it will be lit at night. [There are] abundant burghal issues that he’s cerebration about.”

Douglas Mass, the admiral of engineering close Cosentini Associates, has accepted Kirchmann aback he started at SOM 21 years ago. The brace aboriginal met while alive on an appointment belfry in Paris for developer Howard Ronson, whose HRO International was a abounding artist of appointment amplitude in Manhattan and western Europe in the 1980s and 1990s. They’ve formed on over 20 bartering projects together, mostly in Paris, London and Germany, Mass said.

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“I apparently formed on every activity with him at SOM,” the artist explained. “Not too abounding bodies his age or any age accept done 8 actor aboveboard anxiety of amplitude in 25 buildings.” Mass alleged Kirchmann’s artful “classic adapted architecture” while acknowledging that “he knows about budgets and he’s a abundant collaborator.”

The South African artist additionally met his business partner, Rudikoff, while alive on Ronson’s projects. Rudikoff was Ronson’s right-hand man, Kirchmann said, and he after went on to begin his own development close in Sweden in 2007. During his bristles years active in Stockholm, Rudikoff helped accounts and advance a $350 million, 800,000-square-foot office, auberge and assemblage centermost circuitous alleged the Waterfront.

Kirchmann has appear a continued way from his adolescence in Johannesburg, area he was one of seven kids built-in to a absolute acreage developer ancestor and autogenous artisan mother. He larboard to abstraction architectonics in Cape Town and confused to New York City in 1997, area he anon landed a job as a architectonics artist at SOM beneath Roger Duffy. Once he absitively to get aback into the development game, he went aback to academy to apprentice the banking ancillary of the business and completed a master’s amount in absolute acreage at New York University in 2007. He concluded up giving a few lectures on architectonics as a master’s student. Then Columbia University’s Graduate Academy of Architecture, Planning and Canning asked him to advise a absolute acreage advance with Jared Della Valle and A.J. Pires, two added architects-turned-developers who founded Alloy Development.

Although GDSNY is still a baby angle in the development world, Kirchmann argues that his acquaintance as an architect—combined with his business partner’s assignment accumulating a huge mixed-use activity in Stockholm—makes them a decidedly active firm.

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“We see all the pieces in advanced of us from the business to the architectonics to the architectonics to the engineering to the finance,” he explained. “We’re in a different bearings area we can amalgamate those actual finer and actual efficiently. [When] we attending at projects, for example, we’re able to accede those projects actual bound because we can do zoning studies in-house. We can do planning in-house. It’s article that happens in a few hours as against to a few weeks. That absolutely gives us a aggressive bend aback we are out there attractive for properties.”

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